Past Exhibitions

Roberto Lugo: “Stunting” Garniture Set

ended on April 11th, 2021

In 2019, the New Orleans Museum of Art commissioned Philadelphia-based artist Roberto Lugo to create “Stunting,” a set of three ceramic pots inspired by NOMA’s traditional collection. Best known for cultural mash-ups that blend contemporary social issues with traditional porcelain pottery, Lugo’s powerful commentary on poverty, inequality, and racial injustice has made him a defining artist for our moment. Read More

Mending the Sky

ended on January 31st, 2021

Mending the Sky brings together eleven artist projects that envision our world after disaster. The exhibition takes its title from a Chinese fable in which a rip in the sky causes the earth to split open, bringing floods, fires, famine, and disease—until a goddess takes on the arduous task of mending the broken sky. Read More

Torkwase Dyson: Black Compositional Thought | 15 Paintings for the Plantationocene

ended on January 10th, 2021

Produced for the New Orleans Museum of Art, this new series of fifteen paintings by Torkwase Dyson are inspired by the design systems of architecture, water infrastructure, the oil and gas industry, and the physical impact of global warming. The exhibition also examines the legacy of plantation economies and their relationship to the environmental and infrastructural issues of our current age, which many characterize as the “plantationocene.” Read More

Alia Ali: FLUX

ended on November 15th, 2020

Yemeni-Bosnian artist Alia Ali explores cultures at geographic crossroads. Her work considers how politics, economics and histories collide in fabric patterns and techniques, showing how fabric both unites and divides us. Focusing on wax print fabric—a form with roots in Indian, Japanese, Chinese, Javanese, Dutch and African traditions—FLUX captures the way textiles move and migrate across different cultures. Read More

Tina Freeman: Lamentations

ended on October 11th, 2020

Over the past seven years, Tina Freeman has photographed the wetlands of Louisiana and the glacial landscapes of the Arctic and Antarctica. In Lamentations, Freeman pairs images from these disparate regions in a series of diptychs that function as stories about climate change, ecological balance, and the connectedness of disparate landscapes across time and space. Read More

The Quilts of Gee’s Bend

ended on March 15th, 2020

Born of resourcefulness and enlivened by improvisation, quilts made by African American women of Gee’s Bend, Alabama, are recognized as masterful works of textile art. Read More

An Ideal Unity: The Bauhaus & Beyond

ended on March 15th, 2020

This selection of works from NOMA’s permanent collection will celebrate the centennial of the founding of the Bauhaus, the world-renowned school in Weimar-era Germany that endeavored to unify art, architecture, craft, and design. Including diverse media by Bauhaus teachers and students, this exhibition will show the breadth of the Bauhaus’ influence and its role as one of the most pivotal movements in modern design. Read More

Regina Agu: Passage

ended on February 9th, 2020

Passage is an immersive, site-specific installation created for the New Orleans Museum of Art by contemporary artist Regina Agu and marks her first solo museum show. Inspired by the historical form of the panorama, Agu’s 100-foot-long installation weaves together imagery of waterways from across Louisiana to consider how the landscapes, people, and histories of the region are connected by and through water. This installation was created in partnership with A Studio in the Woods, through an artist residency. Read More

Inspired by Nature | Japanese Art from the Permanent Collection

ended on February 3rd, 2020

The arts of Japan are inseparably associated with nature, whether through themes and subjects associated with seasonal change or through the shape, material, and decoration of objects. This installation focuses on flower and bird subjects, a particularly popular theme during the Edo (1615–1868) and Meiji (1868–1912) periods and one that continues to find enduring resonance in the modern era. Read More

Inventing Acadia: Painting and Place in Louisiana

ended on January 26th, 2020

Inventing Acadia: Painting and Place in Louisiana is the first major exhibition featuring Louisiana landscape painting in more than forty years. Inventing Acadia reveals Louisiana’s role in creating—and exporting—a new vision for American landscape painting in the nineteenth century that was vastly different from that found in the rest of the United States. Read More

Bodies of Knowledge

ended on October 13th, 2019

Bodies of Knowledge brings together eleven international contemporary artists to reflect on the role that language plays in archiving and asserting our cultural identities. Working with materials that range from books and silent film to ink, ashes, and musical scores, these artists counter more staid and static ways of representing our collective pasts. Read More

Timothy Duffy: Blue Muse

ended on August 4th, 2019

Timothy Duffy creates one-of-a-kind direct positive tintype portraits of American musicians using an American photography process that goes back to the nineteenth-century. Despite the importance of these musicians and the national legacy they represent, they remain little known, often outpaced by other popular performers who have built their own careers on top of the “roots” of these musicians and their ancestors. Read More

Paper Revolutions: French Drawings from the New Orleans Museum of Art

ended on July 14th, 2019

Paper Revolutions: French Drawings from the New Orleans Museum of Art traces the politics of draftsmanship in the eighteenth and nineteenth centuries. This selection features works on paper by celebrated painters Jacques-Louis David, Jean-Auguste-Dominique Ingres, and Eugène Delacroix, as well as lesser-known artists, such as Nicolas Lejeune. Read More

Keith Sonnier: Until Today

ended on June 2nd, 2019

NOMA hosts the first comprehensive museum survey for Keith Sonnier, a pioneering figure in conceptual, post-minimal, video and performance art of the late 1960s. Born in Grand Mamou, Louisiana, in 1941, Sonnier was one of the first artists to incorporate light into sculpture: an innovation that forms the foundation of his subsequent work. Read More

Bondye: Between and Beyond

ended on May 27th, 2019

Louisiana-born artist Tina Girouard created twelve sequined prayer flags inspired by the religious rituals of Vodou in a cultural exchange with Haitian artists in Port-au-Prince. Read More

Mildred Thompson: Against the Grain

ended on March 31st, 2019

Against the Grain marks the first solo museum presentation of the experimental wood works of the American artist Mildred Thompson (1936-2003) in more than thirty years. Made during the artist’s self-imposed exile in Europe, Thompson’s wood pictures are only recently being rediscovered and presented in the United States. Read More

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