on view through January 26th, 2020
Inventing Acadia: Painting and Place in Louisiana is the first major exhibition featuring Louisiana landscape painting in more than forty years. Inventing Acadia reveals Louisiana’s role in creating—and exporting—a new vision for American landscape painting in the nineteenth century that was vastly different from that found in the rest of the United States. Read More
on view through March 15th, 2020
Over the past seven years, Tina Freeman has photographed the wetlands of Louisiana and the glacial landscapes of the Arctic and Antarctica. In Lamentations, Freeman pairs images from these disparate regions in a series of diptychs that function as stories about climate change, ecological balance, and the connectedness of disparate landscapes across time and space. Read More
on view through March 15th, 2020
This selection of works from NOMA’s permanent collection will celebrate the centennial of the founding of the Bauhaus, the world-renowned school in Weimar-era Germany that endeavored to unify art, architecture, craft, and design. Including diverse media by Bauhaus teachers and students, this exhibition will show the breadth of the Bauhaus’ influence and its role as one of the most pivotal movements in modern design. Read More
on view through July 27th, 2020
A recently acquired akwanshi stone monolith from the Cross River region of Nigeria forms the centerpiece of a focus exhibition featuring stone as a material used in ancestral veneration among West African cultures. Read More
on view through February 10th, 2020
Passage is an immersive, site-specific installation created for the New Orleans Museum of Art by contemporary artist Regina Agu and marks her first solo museum show. Inspired by the historical form of the panorama, Agu’s 100-foot-long installation weaves together imagery of waterways from across Louisiana to consider how the landscapes, people, and histories of the region are connected by and through water. Created to coincide with Inventing Acadia: Painting and Place in Louisiana, an exhibition of nineteenth-century landscape paintings, Agu’s project mines histories of landscape painting to explore the unique social and political geographies of the Gulf Coast. This installation was created in partnership with A Studio in the Woods, through an artist residency. Read More
on view through April 19th, 2020
Working with natural elements like earth, wind, water and fire, the contemporary artists in Ear to the Ground show how nature can spur artistic innovation and spark new thinking about human culture and community. Read More
on view through February 3rd, 2020
The arts of Japan are inseparably associated with nature, whether through themes and subjects associated with seasonal change or through the shape, material, and decoration of objects. This installation focuses on flower and bird subjects, a particularly popular theme during the Edo (1615–1868) and Meiji (1868–1912) periods and one that continues to find enduring resonance in the modern era. Read More
on view through December 31st, 2020
Drawn from NOMA’s permanent collection, this installation addresses shades of oppression, racism, and superficial cultural understanding layered in 19th-century Orientalist paintings, photographs, and decorative arts. Read More
on view through March 15th, 2020
Born of resourcefulness and enlivened by improvisation, quilts made by African American women of Gee’s Bend, Alabama, are recognized as masterful works of textile art. Read More
on view starting January 24th, 2020
Produced for the New Orleans Museum of Art, this new series of fifteen paintings by Torkwase Dyson are inspired by the design systems of architecture, water infrastructure, the oil and gas industry, and the physical impact of global warming. The exhibition also examines the legacy of plantation economies and their relationship to the environmental and infrastructural issues of our current age, which many characterize as the “plantationocene.” Read More
ended on October 13th, 2019
Bodies of Knowledge brings together eleven international contemporary artists to reflect on the role that language plays in archiving and asserting our cultural identities. Working with materials that range from books and silent film to ink, ashes, and musical scores, these artists counter more staid and static ways of representing our collective pasts. Read More
Photographer Tina Freeman describes her work on view in the exhibition Lamentations, a series of paired prints contrasting the Louisiana wetlands with the glacial landscapes of the Arctic and Antarctic. Read More
