on view through April 26th, 2026
The paintings included in “Hanaq Pachap” illuminate the Indigenous Catholic religious practices and adaptations of European visual sources developed by Indigenous and Mestizo artists in the highlands of Peru and Bolivia during the 17th and 18th centuries. Read More
on view through March 1st, 2026
This exhibition pairs vibrant monochromatic photographs of the color of water made under the surface with dramatic black-and-white landscape photographs made along the banks of the Mississippi and its tributaries—from Louisiana and across the country. Read More
on view through December 28th, 2026
Paintings of richly dressed statues of the Virgin Mary were among the preferred themes in Spanish and Peruvian 17th- and 18th-century painting. This installation reflects the gradual process of adoption and adaptation of this iconography by Indigenous and Mestizo artists in Viceregal Peru in the creation of Marian images. Read More
on view starting January 30th, 2026
Hayward Oubre: Structural Integrity is the first monographic exhibition dedicated to the work of American modernist, Hayward L. Oubre, Jr. (1916–2006). Through 52 sculptures, paintings, and prints, the exhibition reveals how the artist shaped American art while working in the South, and underscores the crucial role of Black artists and art departments at HBCUs in shaping the artistic landscape of the twentieth century. Read More
ended on January 4th, 2026
The photographs included in “The View From Here: Women Photographers of the American Landscape”—all of which are from NOMA’s permanent collection—illustrate some of the exceptional diversity of landscape photographs made by women artists working in the United States since the year 1900. Read More
Watch as Chief Bassey Nsa introduces himself to visitors of the “New African Masquerades” exhibition and honors Dr. Jordan A. Fenton, an Ekpe Society Chief and exhibition co-curator. Read More