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Wangechi Mutu: Intertwined | Film Screenings
Wed, April 3rd at 12:00 PM - 7:00 PM
An event every week that begins at 12:00 PM on Wednesday, repeating until Wed, July 10th, 2024
One event on Sun, February 25th, 2024 at 10:00 AM
One event on Sun, March 17th, 2024 at 10:00 AM
One event on Sun, April 7th, 2024 at 10:00 AM
One event on Sun, May 26th, 2024 at 10:00 AM
One event on Sun, June 30th, 2024 at 10:00 AM
One event on Sun, July 7th, 2024 at 10:00 AM
Expand your experience of Wangechi Mutu: Intertwined through seven of the artist’s films. The films will play on a loop in NOMA’s Lapis Center for the Arts every Wednesday and on select Sundays throughout the run of the exhibition.
Films include Cleaning Earth, 2006; Cutting, 2004; Amazing Grace, 2005; The End of eating Everything, 2013; My Cave Call, 2021; The End of carrying All, 2015; and Eat Cake, 2012. The total runtime is about an hour and a half.
NOMA’s Lapis Center for the Arts has ample seating and is wheelchair accessible.
Free with museum admission; additional ticketing is not required. Louisiana residents receive free museum admission every Wednesday courtesy of The Helis Foundation.
About the Exhibition
This major solo exhibition of work by Wangechi Mutu, brings together nearly one hundred sculptures, paintings, collages, drawings, and films to present the breadth of the Kenyan–American artist’s multidisciplinary practice from the mid-1990s to today. On view January 31–July 14, Wangechi Mutu: Intertwined traces connections between recent developments in Mutu’s sculptures and her decades-long exploration of the legacies of colonialism, globalization, and African and diasporic cultural traditions. The exhibition travels to NOMA from the New Museum, New York.
Wangechi Mutu: Intertwined is organized by the New Museum, New York. Lead support for this exhibition is provided by the Henry Luce Foundation. Generous support for this exhibition is provided by the Ed Bradley Family Foundation, Agnes Gund, Jacques and Natasha Gelman Foundation and the National Endowment for the Arts. Additional support is provided by The Robert Lehman Foundation. Support for the accompanying publication has been provided by the A4 Arts Foundation.
The presentation in New Orleans is sponsored by the Ford Foundation. Additional support is provided by Delta Airlines, Gladstone Gallery, Walda Besthoff, Victoria Miro Gallery, the Windsor Court, Keith Fox and Tom Keyes, Aimée Farnet Siegel and Mike Siegel, Robin Rankin, Elizabeth Boh, and Harvey and Marie Orth.
