Throughout the twentieth century, the raw, instinctive approach of self-taught artists has quietly attracted acclaimed “contemporary” artists, collectors with keen eyes and in more recent decades, insightful museum curators, who bring this material to the public eye. The New Orleans Museum of Art was among the early pioneers, organizing the first solo exhibition of Clementine Hunter’s work in 1955 and collecting work by self-taught artists since the 1970s.
Unfiltered Visions: 20th Century Self-Taught American Art at NOMA is presented in conjunction with the exhibition Self-Taught Genius: Treasures from the American Folk Art Museum. NOMA’s exhibition, on view in The Helis Foundation gallery, demonstrates the diversity and individuality of self-taught artists’ work. Today, these artists are receiving the widespread recognition they have long deserved. Their creativity and inventive use of materials are expressed through dynamic and unfiltered visions.
Paint on solid wood door
Gift of Robert A. Roth in honor of E. John Bullard, 2012.51
Last Supper No. 9
Enamel paint and collage on Masonite
Gift of Dr. Kurt Gitter and Alice Rae Yelen, 2011.59
Melrose Plantation Quilt
Cotton fabric quilt
Gift of Dr. and Mrs. Robert Ryan, 80.159
Angels Over the City
Acrylic on fabric and wood
Museum purchase with funds donated by Friends of Contemporary Art, 92.509