Sand, Ash, Heat: Glass at the New Orleans Museum of Art explores how this material has inspired innovation in the arts and science from ancient civilizations to today.
The exhibition connects artworks throughout the museum and Besthoff Sculpture Garden, showcasing the many forms and artistry of glass from ancient vessels and Venetian glass to examples of the 20th-century American studio craft movement and newly acquired works by contemporary artists including Fred Wilson and Sharif Bey. Featuring an expansive range of objects drawn entirely from NOMA’s exceptional glass collection, the exhibition showcases a diversity of work to foreground how glass is connected to histories of scientific discovery, foodways, cultural exchange, and artistic innovation.
The exhibition is accompanied by a fully illustrated catalogue published with Scala Arts Publishers, Inc. Glass: Sand, Ash, Heat was edited by NOMA’s RosaMary Curator of Decorative Arts & Design Mel Buchanan, with contributions by Dow M. Edwards, Amanda M. Maples, Christopher Maxwell, Laura Ochoa Rincon, Zella Palmer, Brian Piper, Alex Sanchez, Ingrid Seyb, and an interview with Gene Koss.
Sand, Ash, Heat: Glass at the New Orleans Museum of Art is sponsored by the Eugenie and Joseph Jones Family Foundation. Additional support is provided by Susanne and David Purvis, the Art Alliance for Contemporary Glass, Harvey and Marie Orth, Robert and Pamela Steeg, Mary Beth and Sheldon Ray, in honor of Bettie Pendley, and Lori and John Solon.
The exhibition was organized by NOMA’s RosaMary Curator of Decorative Arts Mel Buchanan with Decorative Arts Trust Curatorial Fellow Laura Ochoa Rincon with additional contributions to the project from Kelly Conway, Dow M. Edwards, Sidney Goldstein, Gene Koss, Amanda M. Maples, Christopher Maxwell, Zella Palmer, Brian Piper, Alex Sanchez, and Ingrid Seyb.
Bottle
c.1926
Maurice Marinot
Blown glass
6 3/4 in.
Museum purchase, William McDonald Boles and Eva Carol Boles Fund, 2004.40.a,.b © Merat Troyes
“The Way The Moon’s in Love with the Dark” Chandelier
2017
Fred Wilson
Murano glass, brass, steel, light bulbs
78 3/4 x 55 1/8 x 55 1/8 in.
NOMA, Museum purchase, William McDonald Boles and Eva Carol Boles Fund, 2022.48 © Fred Wilson, Courtesy Pace Gallery.
Group of five Unguent Bottles
600–100 BCE
Eastern Mediterranean
Core-formed glass with trailed decoration
largest 5 7/8 x 1 1/8 in.
NOMA, Gift of Melvin P. Billups in memory of his wife, Clarice Marston Billups, 56.92, 56.153, 64.82, 56.155, 56.154.
“Ghost” Chair
1987 design
Cini Boeri with Tomu Katayanagi, for FIAM Italia, manufacturer
Tempered glass
27 ¾ x 37 x 30 in.
NOMA, Museum Purchase, William McDonald Boles and Eva Carol Boles Fund, 2023.23 © Cini Boeri. Image courtesy of Rago/Wright.
Domestic: Queen
2024
Sharif Bey
Glass, earthenware, metal
New Orleans Museum of Art, Museum purchase, William McDonald Boles and Eva Carol Boles Fund, 2023.24. ©️ Sharif Bey.
“Façon de Venise” Goblet
c. 1670
Peter Wolff, engraver
Blown glass, diamond point engraving
10 3/8 in.
NOMA, Museum purchase, William McDonald Boles and Eva Carol Boles Fund, 95.379.
“Lily” Table Lamp
1900–1910
Louis Comfort Tiffany, designer
Gilt bronze, “Favrile” glass
20 x 16 in.
Mervin and Maxine Mock Morais Fund, 2008.3.
Ceremonial Sword and Sheath (udamalore and èwu)
c. 1875–1920
Yorùbá artist (City of Ijebu-Owo, Ondo State, Nigeria)
Glass beads, brass, cloth, iron, leather
20 1⁄4 × 2 1⁄2 in.
New Orleans Museum of Art, Gift of Mr. and Mrs. Charles Davis in memory of Robert P. Gordy, 87.72.a,.b.
Ridge Road Climb
1984
Gene Koss
Cast glass
New Orleans Museum of Art, Gift of Mr. and Mrs. Hugh Kohlmeyer, 86.101. © Gene Koss.