On view October 26, 2018, through January 27, 2019
At its founding in 1718, New Orleans was named for the French Regent, Philippe II, Duke of Orléans (1674–1723). A formidable personality, Philippe II’s legacy is his patronage of the arts: architecture, painting, furniture, music, dance, and theatre. In celebration of the tricentennial of the city that bears his regal title, NOMA will present an exhibition of selections from the Duke’s magnificent collection. This international loan exhibition will bring together masterpieces by Veronese, Valentin, Poussin, Rubens, and Rembrandt that formerly graced the walls of the Palais Royal in Paris.
The quality of the Orléans Collection was universally praised during Philippe II’s lifetime and its stature is attested by the astounding 772 paintings inventoried at his death. Although originally bequeathed to the duke’s heirs, in the 1790s the family hastily sold the collection to raise money during the French Revolution. The subsequent sales became a watershed event in the history of collecting and museology. The exhibition and its accompanying scholarly catalogue will explore exceptional aspects of the collection through four guiding themes: the Palais Royal and its grand redecoration as a center for the arts and exchange in Paris; the diplomatic and personal display of the collection in public and private spaces; the Duke of Orléans’ personal taste and psychology as a collector; and the fame and impact the collection had for contemporary visitors, artists, and collectors in Paris.
No exhibition of this fascinating subject has been undertaken and this project offers an exceptional opportunity for new scholarship, with a catalogue structured to maximize scholarly research and publish new research about Philippe II’s collection. The catalogue by Vanessa I. Schmid, NOMA’s Senior Curator of European Art, and nine contributors, presents for the first time in over a century a comprehensive analysis of this extraordinary collection.
NOTE: An exhibition fee of $8 is required to view The Orléans Collection. NOMA members receive free admission year-round.
View an informational guide to The Orléans Collection, published by Gambit, New Orleans’ alternative news weekly.
Works in the Orléans Collection have been dispersed for more than 225 years. Two public displays of the paintings became major sensations in late eighteenth-century London before the works were auctioned. Read More
In celebration of the city of New Orleans’ Tricentennial in 2018, the New Orleans Museum of Art will present The Orleans Collection, an exhibition of selections from the magnificent collection of the city’s namesake, Philippe II, Duke of Orléans (1689-1723). Universally praised during his lifetime, the exceptional collection was comprised of some of the most important works in the history of art. Read More
Beginning this month, the New Orleans Museum of Art (NOMA) presents the first ever comprehensive look at the institution’s extensive collection of glass objects ranging from tiny ancient Egyptian amulets to large-scale works of contemporary sculpture. Opening Friday, August 30, Sand, Ash, Heat: Glass at the New Orleans Museum of Art explores how a common material has inspired innovation in the arts and sciences for millennia. The exhibition is on view in NOMA’s Ella West Freeman Galleries through February 10, 2025. Read More
The accompanying catalog for The Orleans Collection includes essays by nine scholars and a compendium that traces the journey of select paintings from the Palais-Royal to their present-day location. Read More
The Duke of Orléans amassed more than 700 paintings in his lifetime. NOMA will display nearly 40. Learn more about the collecting habits of Philippe II and the disperal of his collection. Read More
Lectures, tours, music, film, a scholarly symposium, and French food will be the focus of programs that complement The Orléans Collection. Read More
The Orléans Collection is organized by the New Orleans Museum of Art and is sponsored by the City of New Orleans; New Orleans & Company; Samuel H. Kress Foundation; Hyatt Regency New Orleans and 1718 Events; JPMorgan Chase & Co.; New Orleans Tourism Marketing Corporation; Robert Lehman Foundation, Inc.; Zemurray Foundation; Mr. and Mrs. John Bertuzzi; Catherine Burns Tremaine; 2018 NOLA Foundation; Delta Airlines; Pelham Communications; Jean and Buddy Bolton; Mr. and Mrs. Joseph C. Canizaro; Susie and Michael McLoughlin; Sally E. Richards; and Mr. and Mrs. Robert John Axtell Williams. Additional support provided by French Heritage Society; Dr. Edward Levy, Jr.; E. Alexandra Stafford and Raymond M. Rathle, Jr.; Jason P. Waguespack; Suzie and Pierre G. Villere; Robert and Millie Kohn; Wayne Amedee; Honorable Steven R. Bordner; Nell Nolan and Robert E. Young; and Charles L. Whited, Jr.
Guido Reni (Italian, 1575-1642), The Meeting of David and Abigail, ca. 1615–1620, Oil on canvas, 61 1/4 x 64 1/2 in., Chrysler Museum of Art, Norfolk, Virginia, Gift of Walter P. Chrysler, Jr.
Rembrandt van Rijn (Dutch, 1606-1669), The Mill, 1645-1648, Oil on canvas, 34 1/2 x 41 9/16 in., National Gallery of Art, Washington, D.C., Widener Collection, Courtesy National Gallery of Art, Washington
Godfried Schalcken (Dutch, 1643-1706), Precious Recognized, late 1660s, Oil on panel, 17 3/8 x 12 5/16 in., National Gallery of Ireland, Dublin, Purchased 1898, Photo © National Gallery of Ireland
Nicolas Poussin (French, 1594-1665), Ecstasy of Saint Paul, 1643, Oil on panel, 16 3/8 x 11 7/8 in., The John and Mable Ringling Museum of Art, the State Art Museum of Florida, Florida State University, Sarasota, Museum purchase
Giorgio Vasari (Italian, 1511–1574), Six Tuscan Poets, 1544, Oil on panel, 52 x 51 5/8 in., Minneapolis Institute of Art
Paolo Caliari (called il Veronese) (Italian, 1528–1588), Portrait of a Woman with a Dog, 1585–1587, Oil on canvas, 41 5/16 x 30 7/8 in., Museo Thyssen Bornemisza, Madrid, Spain
Alessandro Allori (Italian, 1535-1607), Venus and Amor, 1570s. Oil on panel, 71 1/4 x 102 3/4 in., Musée Fabre, Montpellier, France, © Musée Fabre de Montpellier Méditerranée