
Buddha and Shiva, Lotus and Dragon: Masterworks from the Mr. and Mrs. John D. Rockefeller 3rd Collection at Asia Society will feature nearly seventy of the finest examples of Asian art in the United States. Co-organized by the American Federation of Arts and Asia Society Museum, this exhibition will showcase the extraordinary range of bronzes, ceramics, and metalwork that John D. Rockefeller 3rd (1906–1978) and his wife Blanchette Hooker Rockefeller (1909–1992) thoughtfully assembled between the 1940s and the 1970s. With highlights including spectacular Chinese vases, dynamic Indian Chola bronzes, and exquisite Southeast Asian sculptures, the exhibition reveals great achievements in Asian art spanning more than two millennia. This selection of masterpieces drawn from Asia Society’s permanent collection is a visually stunning presentation that will illuminate social and artistic histories from across Asia and underscore the visual arts’ capacity to encourage cross-cultural dialogue.
When John D. Rockefeller 3rd and his wife Blanchette Hooker Rockefeller began collecting Asian art in the years after World War II, they chose to prioritize classical masterpieces that represented the great technical skill and creative breadth of Asian artistic practice. They selected objects from across the continent—Cambodia, China, India, Japan, Nepal, Sri Lanka, Thailand, Tibet, and Vietnam. These objects, ranging from everyday food wares to imperial dining vessels and ceremonial Bodhisattvas to private devotional Hindu sculptures, come from a variety of cultural contexts and reflect the diversity of the region. From the start, the couple believed that sharing this grouping of exceptional artworks with the public could act as a catalyst for increasing understanding between the United States and Asia, and create the foundation for future economic and sociopolitical engagement.
This exhibition represents a special opportunity for museum visitors to experience the unparalleled quality of the Mr. and Mrs. John D. Rockefeller 3rd Collection outside of its home at Asia Society Museum in New York City. In addition to investigating themes of Buddhist sculpture, Hindu sculpture, and ceramics and metalwork, the show also examines the Rockefellers’ connoisseurship as well as their collecting and exhibition practices in an age when political and economic circumstances informed the reception and availability of Asian artworks in the United States. With an emphasis on beauty, ingenuity, and tradition, Buddha and Shiva, Lotus and Dragon: Masterworks from the Mr. and Mrs. John D. Rockefeller 3rd Collection at Asia Society manifests the dynamic ideas and philosophies that animate histories of Asian art and renews the Rockefellers’ vision of promoting deep cross-cultural understanding through experiences with astonishing works of art. The exhibition is curated by Adriana Proser, John H. Foster Senior Curator of Traditional Asian Art at Asia Society Museum, New York.
General admission to the Museum plus entry to the Buddha and Shiva exhibition will be priced as follows:
$20 Adults
$15 Seniors and Military
$13 University Students
Free for Members and Youth 19 and under JOIN NOW
On Wednesdays Louisiana residents may visit the exhibition for $5. Support for free general admission for residents on Wednesday is provided by The Helis Foundation.
Buddha and Shiva, Lotus and Dragon: Masterworks from the Mr. and Mrs. John D. Rockefeller 3rd Collection at Asia Society is co-organized by the America Federation of Arts and Asia Society. This project is supported in part by a grant from the National Endowment for the Arts. The installation at NOMA is sponsored by Dr. Siddharth K. Bhansali, Virginia Eason Weinmann, Judith Fos Burrus, Tim L. Fields, Dr. Nina Dhurandhar, Nuria Rowley, E. Alexandra Stafford and Raymond M. Rathle, Jr., Mr. and Mrs. John A. Batt, Jr., and Tom and Dian Winingder.

Head of Buddha
Late 2nd–3rd century
Made in Pakistan, Gandhara area
Schistose phyllite
Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection, 1979.2, Courtesy American Federation of Arts

Shiva as Lord of the Dance (Shiva Nataraja)
c. 970
Made in India, Tamil Nadu
Copper alloy
Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection, 1979.20, Courtesy American Federation of Arts

Ganesha
Chola period, 11th century
Made in India, Tamil Nadu
Copper alloy
Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection, 1979.26, Courtesy American Federation of Arts

Bodhisattva Avalokiteshvara in the Form of Khasarpana Lokeshvara
Late 11th–early 12th century
Made in India, Bihar or Bengal
Schist
Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection, 1979.40, Courtesy American Federation of Arts

Bowl
Yongzheng era, 1723–1735
Made in China, Jiangxi Province
Porcelain painted with overglaze enamels (Jingdezhenware)
Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection, 1979.186, Courtesy American Federation of Arts

Standing Female Figure (one of a pair)
Edo Period, c. 1670–1690
Made in Japan, Saga Prefecture
Porcelain painted with overglaze enamels with traces of gold (Arita ware, Kakiemon style)
Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection, 1979.239 Courtesy American Federation of Arts

Crowned Buddha Shakyamuni
8th century
Made in Kashmir or northern Pakistan
Brass with inlays of copper, silver, and zinc
Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection, 1979.44, Courtesy American Federation of Arts
Virtual tour: Buddha and Shiva, Lotus and Dragon
Enjoy a virtual walkthrough of Buddha and Shiva, Lotus and Dragon: Masterworks from the Mr. and Mrs. John D. Rockefeller 3rd Collection at Asia Society with Lisa Rotondo-McCord, Deputy Director for Curatorial Affairs/Curator of Asian Art. Read More
In Reverence for Asia: The Mr. and Mrs. John D. Rockefeller 3rd Collection
Join Adriana Proser, organizing curator of Buddha and Shiva, Lotus and Dragon: Masterworks from the Mr. and Mrs. John D. Rockefeller 3rd Collection at Asia Society as she introduces some of the relationships and experiences that led to the emergence of this remarkable collecting couple Read More
NOMA Reset: Ensō Painting Workshop
In Zen, ensō is a circle that is hand-drawn in one or two uninhibited brushstrokes to express a moment when the mind is free to let the body create. The ensō symbolizes absolute enlightenment, strength, elegance, the universe, and mu (the void). It is characterized by a minimalism born of Japanese aesthetics. Read More
The Art Sutra: Viewing through the Empty Heart
Viewers of religious art and artifacts in a museum setting often overlook the spiritual significance of the works on display in favor of formal, aesthetic, and historical concerns. Through the lens of the Heart Sutra, the Abbot of the New Orleans Zen Temple discusses the depiction of various Buddhist figures in the exhibition “Buddha and Shiva, Lotus and Dragon,” including Shakyamuni, Avalokiteshvara, and Shariputra. Read More
A Performance of Bharatanatyam
In partnership with the Indian Arts Circle of New Orleans and in celebration of Buddha and Shiva, Lotus and Dragon: Masterworks from the Mr. and Mrs. John D. Rockefeller 3rd Collection at Asia Society, NOMA presents a performance of Bharatanatyam featuring Aparna Srinivasan and Sanjukta. Read More
Wine Cups Along the Silk Road: Transmission, Materiality, and Banquets
The silver stem cup in Mr. and Mrs. John D. Rockefeller 3rd Collection is an embodiment of the transmission of art and culture along the Silk Road during the medieval period. This talk introduces how the seemingly ordinary shape of stem cups signified an innovation in the form of Chinese drinking vessels under the influence of Central and Western Asia. Dr. Zhang further addresses issues around materiality through an investigation of the production and perception of luxury silverware by Chinese and Nomads respectively. Read More
From Ancestral Worship to Pursuit of Immortality: Bronze Age to Pre-Buddhist Chinese Art
This presentation uses artefacts from the New Orleans Museum of Art and the exhibition Buddha and Shiva, Lotus and Dragon: Masterworks from the Mr. and Mrs. John D. Rockefeller 3rd Collection at Asia Society and visual materials from recent archaeological discoveries to discuss the changing ideas and attitudes toward life, death, and afterlife in pre-Buddhist China. From the Early Bronze Age to the first Empires, religious centers moved from family lineage temples to individual tombs, reflecting profound socio-political transitions in the declining of a hierarchical genealogical structure and the rising importance of one’s achievements through personal efforts. Read More