New Orleans Museum of Art

Book Club: Rolland Golden: Life, Love, and Art in the French Quarter
2025-08-14 12:00 - 13:00 (America/Chicago) | New Orleans Museum of Art, 1 Collins Diboll Circle, New Orleans, LA, 70119
NOMA’s book club meets monthly to discuss fiction and non-fiction books related to art in the museum’s collection and exhibitions.
It is an informal group open to anyone on a month-to-month basis. You do not have to attend every meeting or read every book to participate. In addition to monthly book discussions, the book club meets periodically for curatorial programs related to the book selections.
Books are selected in advance and planned according to the museum’s exhibition schedule. Participants are expected to procure their own copy of the titles. Selections are also available at the NOMA Museum Shop, where museum members receive a 10% discount.
Register Now
Meetings are held in person or via Zoom. All meetings begin at 12 pm. For more information or questions, please email programs@noma.org.

About the Book
Rolland Golden: Life, Love, and Art in the French Quarter
by Rolland Golden

In the early twentieth century, the French Quarter had become home to a vibrant community of working artists attracted to the atmosphere, architecture, and colorful individuals who populated the scene (and who also became some of its first preservationists). Louisiana native Rolland Golden was one of these artists to live, work, and raise a family in this most storied corner of New Orleans. With 94 black-and-white and 54 color photographs and illustrations, his memoir of that life focuses on the period of 1955 to 1976. Golden, a painter, discusses the particular challenges of making a living from art, and his story becomes a family affair involving his daughters and his beloved wife, Stella.
Golden’s studio sat in a patio on Royal Street, around the corner from Preservation Hall where old-time musicians played Dixieland Jazz. Golden sketched and painted many of them in a visual style that encompassed realism and gradually developed into abstract realism. Golden recalls work that he did in historic preservation, sketching architecture for publications such as the Vieux Carré Courier, and he discusses his studies with renowned regionalist painter John McCrady. The artist frankly discusses his experiences with the display, representation, and sale of his work, presenting a little-explored and yet crucial part of a working artist’s life. The memoir concludes with Golden and his wife traveling to the premiere of his exhibition in Moscow, having been selected by a Russian envoy as the only American artist to have a one-man touring exhibition in the former Soviet Union. Among the nearly 150 black-and-white and color illustrations are never-before-seen photos and sketches by the artist.

Book Club: The Underground Railroad
2025-09-18 12:00 - 13:00
NOMA’s book club meets monthly to discuss fiction and non-fiction books related to art in the museum’s collection and exhibitions.
It is an informal group open to anyone on a month-to-month basis. You do not have to attend every meeting or read every book to participate. In addition to monthly book discussions, the book club meets periodically for curatorial programs related to the book selections.
Books are selected in advance and planned according to the museum’s exhibition schedule. Participants are expected to procure their own copy of the titles. Selections are also available at the NOMA Museum Shop, where museum members receive a 10% discount.
Register Now
Meetings are held in person or via Zoom. All meetings begin at 12 pm. For more information or questions, please email programs@noma.org.

About the Book
The Underground Railroad
by Colson Whitehead

Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.
In Whitehead’s ingenious conception, the Underground Railroad is no mere metaphor—engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But the city’s placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.
Like the protagonist of Gulliver’s Travels, Cora encounters different worlds at each stage of her journey—hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre–Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman’s ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.

Book Club: The Other Side: A Story of Women in Art and the Spirit World
2025-10-16 12:00 - 13:00
NOMA’s book club meets monthly to discuss fiction and non-fiction books related to art in the museum’s collection and exhibitions.
It is an informal group open to anyone on a month-to-month basis. You do not have to attend every meeting or read every book to participate. In addition to monthly book discussions, the book club meets periodically for curatorial programs related to the book selections.
Books are selected in advance and planned according to the museum’s exhibition schedule. Participants are expected to procure their own copy of the titles. Selections are also available at the NOMA Museum Shop, where museum members receive a 10% discount.
Register Now
Meetings are held in person or via Zoom. All meetings begin at 12 pm. For more information or questions, please email programs@noma.org.

About the Book
The Other Side: A Story of Women in Art and the Spirit World
by Jennifer Higgie

It’s not so long ago that a woman’s expressed interest in other realms would have ruined her reputation, or even killed her. And yet spiritualism, in various incarnations, has influenced numerous men—including lauded modernist artists such as Wassily Kandinsky, Piet Mondrian, Kazimir Malevich and Paul Klee—without repercussion. The fact that so many radical female artists of their generation—and earlier—also drank deeply from the same spiritual well has been sorely neglected for too long.
In The Other Side, we explore the lives and work of a group of extraordinary women, from the twelfth-century mystic, composer, and artist Hildegard of Bingen to the nineteenth-century English spiritualist Georgiana Houghton, whose paintings swirl like a cosmic Jackson Pollock; the early twentieth-century Swedish artist, Hilma af Klint, who painted with the help of her spirit guides and whose recent exhibition at New York’s Guggenheim broke all attendance records to the ‘Desert Transcendentalist’, Agnes Pelton, who painted her visions beneath the vast skies of California. We also learn about the Swiss healer, Emma Kunz, who used geometric drawings to treat her patients and the British surrealist and occultist, Ithell Colquhoun, whose estate of more than 5,000 works recently entered the Tate gallery collection. While the individual work of these artists is unique, the women loosely shared the same goal: to communicate with, and learn from, other dimensions.
Weaving in and out of these myriad lives while sharing her own memories of otherworldly experiences, Jennifer Higgie discusses the solace of ritual, the gender exclusions of art history, the contemporary relevance of myth, the boom in alternative ways of understanding the world and the impact of spiritualism on feminism and contemporary art. A radical reappraisal of a marginalized group of artists, The Other Side is an intoxicating blend of memoir, biography, and art history.

Book Club: How the Word Is Passed: A Reckoning with the History of Slavery Across America with author Clint Smith
2025-11-13 12:00 - 13:00
NOMA’s book club meets monthly to discuss fiction and non-fiction books related to art in the museum’s collection and exhibitions. At this month’s book club meeting, author Clint Smith will join via Zoom to discuss his book How the Word is Passed: A Reckoning with the History of Slavery Across America and the recently-released youth edition of the book.
This book club meeting will be available in-person and via Zoom. Register by 9:00 am on Thursday, November 13, to receive your Zoom link.
Register Now
NOMA’s book club is an informal group open to anyone on a month-to-month basis. You do not have to attend every meeting or read every book to participate. In addition to monthly book discussions, the book club meets periodically for curatorial programs related to the book selections.
Books are selected in advance and planned according to the museum’s exhibition schedule. Participants are expected to procure their own copy of the titles. Selections are also available at the NOMA Museum Shop, where museum members receive a 10% discount.
Meetings are held in person or via Zoom. All meetings begin at 12 pm. For more information or questions, please email programs@noma.org.

About the Book
About Clint Smith
Author and Journalist Clint Smith, photo by Calvin Gavion
Clint Smith is the author of the narrative nonfiction book, How the Word Is Passed: A Reckoning With the History of Slavery Across America, which was a #1 New York Times bestseller, winner of the National Book Critics Circle Award for Nonfiction, the Hillman Prize for Book Journalism, the Stowe Prize, and selected by the New York Times as one of the 10 best books of 2021. How the Word Is Passed (Adapted for Young Readers), with Sonja Cherry-Paul, will be published in September 2025 (Little, Brown). He is also the author of the New York Times bestselling poetry collection Above Ground and the award-winning poetry collection Counting Descent. His writing has been published in The New Yorker, The New York Times Magazine, Poetry Magazine, The Paris Review, and elsewhere. Clint received his B.A. in English from Davidson College and a Ph.D. in Education from Harvard University. He is a staff writer at The Atlantic.
How the Word Is Passed: A Reckoning with the History of Slavery Across America
by Clint Smith

Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves.It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view—whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted.
Informed by scholarship and brought to life by the story of people living today, Smith’s debut work of nonfiction is a landmark of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be.

Gallery Talk and Book Signing with Boyce Upholt, Author of The Great River
2026-01-14 12:30 - 13:00, 2026-01-14 18:00 - 18:30
Every week, NOMA hosts gallery talks in the museum and the Besthoff Sculpture Garden led by curators, artists, and other special guests. These lively, participatory conversations provide a moment to take a close look at one work—or a selection of works—currently on view.
Join the NOMA Book Club in welcoming local author Boyce Upholt for two gallery talks connecting his book The Great River: The Making and Unmaking of the Mississippi with NOMA’s special exhibition Nicolas Floc’h: Fleuves-Océan, Mississippi Watershed. The gallery talks will be offered at 12:30 and 6 pm this day. This program will also include a book signing with Upholt.
Included with museum admission, which is free for Louisiana residents every Wednesday courtesy of The Helis Foundation’s Art for All initiative. When you arrive at NOMA, check in at the admissions desk for directions to the appropriate location.
